Wednesday, May 20, 2015

Yes to Progress


On Friday we get to vote in the Marriage Equality referendum, and I for one CAN NOT WAIT. A Yes vote is the kind, decent and truly right thing to do. I'll be voting yes in the Presidential Age referendum too, because if you can run for the Dáil at 21, then have at it I say, but also because I'm half afraid that otherwise my brain will freak out and I'd somehow accidentally end up voting no on marriage equality by accident.

There is genuinely no good reason to vote no in the Marriage Referendum. Once you strip back the arguments of the No campaigners, it all boils down to old fashioned homophobia and them being squicked out at the idea of gay sex. So many masks have slipped in the last few days of the debate, it's hard not to trip over the fuckers strewn all over the floor.

The No side also seem to think that we've all forgotten the fact that they were vehemently opposed to Civil Partnerships, while they now hold it up as some kind of shining beacon of gay rights, rather than a half-assed piece of legislation that they battled tooth and nail against. They use their carefully chosen group names and surnames to try to deflect the fact that it's the usual handful of well funded ultra-conservatives that routinely battle anything approaching progress in this country. And they have the brass-necked fucking nerve to act the victim when people disagree with them, while they are actively campaigning to deny rights to an already marginalised group of people. It is wildly disrespectful, it's disingenuous and it's dishonest.

So let's show these people that they and their awful opinions are soon to be a thing of past and let's make this a better country for all of our LGBT citizens and their families. A high turnout is crucial to a Yes result, so on Friday get out there and vote.

Let's do this thing and do it right.

VOTE YES.

Monday, May 18, 2015

Sweet Valley High Revisited - Say Goodbye

Does everybody else have that Madonna song stuck in their heads now too? Thought as much. Let's proceed!

Sweet Valley High #23: Say Goodbye


Elizabeth Wakefield is miserable. She feels like a part of her is "dying", her aqua coloured eyes are brimming with tears, tears that are probably getting all up in her sun-kissed blonde hair, and when she takes her perfect size six body outside the house, she's so upset that she's "blind to the beauty of her neighbourhood." The reason that Elizabeth's perfect California face isn't paying any attention to her perfect California surroundings is that her perfect California boyfriend is moving away to stupid Vermont in a week's time.

Todd's father has to move for work, so in between crying on each other, he and Elizabeth have decided to have a long distance relationship and not see other people, even though they don't even know when they'll get to see each other again. Both Enid and big bro Steven think it's a bad idea, though. Steven has seen this kind of thing with his college buddies and it never works out, apparently.

"People have what they call 'hometown honeys' - girlfriends or boyfriends they've left behind."

Because Steven is going to college in 1940s wartime America.

Meanwhile, Jessica owes her parents almost a hundred dollars after buying an outfit in Lisette's and charging it to Ned and Alice's account without telling them. She has to find a part time job to earn enough to pay them back and ends up with a job as a receptionist at the Perfect Match Computer Dating Agency. Most excellent. While she's telling Steven about her new gig, Jessica decides it's high time he got his fine ass back out on the market.

He's so good looking, she mused.

Pretty weird, Jess.

The agency is owned by Mary Ann, a "pert brunette" in her twenties and the office has heart shaped notepads, a heart shaped keyring for the keys, pink index cards and pink pencils, because Mary Ann respects a theme, goddammit. Jessica ends up telling her new boss all about Elizabeth and Todd and how boring she thinks Todd is. While chatting to her, Jessica hits on the idea of setting Elizabeth up with the handsome and fabulously wealthy Nicholas Morrow. Remember Nicholas Morrow? He's the college-aged dude who was new in town and relentlessly pursued Elizabeth, a sixteen year old with a steady boyfriend, and guilted her into going on a date with him, despite her repeated protestations. Nice guy.

One evening in the dating agency's office, Jessica compiles a shortlist of ladyeez to set her brother up with, one of which is a forty three year old divorceé called Beatrice. She calls Beatrice up and tells her that the computer has found her perfect match, and gives her Steven's phone number. Steven is eighteen.

Anyway, it's time for Todd to go, so he and Elizabeth have a mega-tearful goodbye in the driveway of his parents house and she sadly watches the car drive away. Elizabeth then proceeds to spend all her time moping around her room, writing letters to Todd, letting her work for the school paper slide and generally being antisocial.

But the worst, the very worst was the apathetic look in her blue-green eyes.

Noooo! The eyes of a Wakefield twin FLASH and SPARKLE and SHINE! They're practically a pair of tiny turquoise headlights, this just won't do!

Jessica tries to get Elizabeth back to her old self by asking sexy ol' Mr Collins to send Liz to the upcoming regatta to cover it for The Oracle. She then convinces Nicholas Morrow to offer to take Liz to the race, as he's sailing in it and one of the favourites to win. Liz goes with him and the race is all super exciting and Nicholas wins. Oh and he shows her his boat beforehand, it's called Seabird but he tells her that its secret name is My Favourite Twin. Bleuuuuugh.

After the race, Nicholas invites the twins to come for a fancy lunch on his dad's yacht and is all over Elizabeth. He tells her that he's there for her if she needs a shoulder to cry on, even though he quite clearly wants to get into her pants. Elizabeth is relieved that he just wants to be friends, but also doesn't quite 100% believe that and feels guilty for enjoying his attention and company. The next day, the twins go to the Morrow's house for a barbeque being held in honour of Nicholas's cousin Jeffrey, who's in from New York. Jessica briefly "considered falling in love with him", but decides not to (because that's how it works) as all the money is in Nicholas's family and Jeffrey is probably a poor relative.

Jeffrey was twenty one, with brown, crinkly hair and wire-frame glasses.

He wants to be an archeologist and keeps talking about the Aztecs and I have to say, I'm kind of into Jeffrey. He sounds like Classroom Indiana Jones and as we all know, he can get it. Nicholas asks Elizabeth whether she and Todd have decided to date other people, she tells him they haven't and he asks her to the cinema. But he does so "huskily", so he must mean business.

Todd. That jacket. No.

In the meantime, Beatrice has been calling up Steven and asking him out to dinner and quite rightly, he's completely weirded out and can't figure how she got his number. Jessica decides that she'll have to deploy her second choice for Steven, some bird called Jody, and calls her up, telling her to come by the house on Saturday. I'm not sure which part of this she thinks is a good idea.

Todd calls the house while Elizabeth is over at Enid's and Jessica takes the opportunity to tell him that Elizabeth is miserable and not going out with her friends or writing for the school paper, making out like he's holding her back and urging him to let her go. She pretty much guilts Todd into agreeing with her and instead of actually talking to his girlfriend about it, he just takes the word of her sister, a notorious liar, schemer and shit-stirrer and just stops returning Liz's calls or replying to her letters. Great job, Todd.

Liz goes to the cinema with Nicholas to the new James Bond film (going by the date of this book, it's A View To A Kill, fyi) and they kiss afterwards. Nicholas apologises and Elizabeth says she needs more time. He tells her to think everything over and not to push herself and then IMMEDIATELY pesters her to go for ice cream with him at the weekend. How is she supposed to think things over when YOU WON'T LEAVE HER ALONE? Riddle me that, Morrow.

The next day, Steven and Elizabeth are hanging out by the pool when the doorbell rings. Elizabeth answers to find some punk rocker chick waiting outside and looking for Steven. Elizabeth "repressed the desire to burst out laughing" because she's a judgey little bitch and invites her in. It turns out that this is Jody and Steven naturally has no idea what's going on. When she tells him he's supposed to be her other half, he suggests that she has the wrong house and Elizabeth bursts out laughing, which is RUDE. But I guess we're not supposed to feel bad for this girl, because she lights a cigarette and has long nails, so for some reason it's fine that Elizabeth is ridiculing her TO HER FACE. It's not Jody's fault that Jessica is an exasperating schemer, after all.

Anyway, Elizabeth has seemingly thrown herself into dating Nicholas, despite still pining for Todd and not knowing why he hasn't returned any of her calls. Steven and Enid are concerned and think she's rushing into it, even though they both thought that Liz and Todd doing long distance was a bad idea, so make your goddamn minds up jerks. Elizabeth decides that she's been unfairly leading Nicholas on, as she's still in love with Todd, so she resolves to tell Nicholas how she really feels and to write to Todd to find out what exactly is going on. However, she won't get a chance to talk to Nicholas until the following night, when they're supposed to be going to a party at Lila Fowler's house, so she decides not to ruin his evening and will break up with him after the party.

It was going to be a terrible blow when he found out that Elizabeth wanted to cut things off.

A fate worse then death, being denied that sweet Wakefield ass.

The next day, Todd is back in town to close his father's bank accounts and "make enquiries about the furniture", and tie up various other loose ends that it seems a bit odd to send a sixteen year old to do. He hasn't told anyone that he's back in town, and wants to drop by Elizabeth's house to surprise her. Even though he decided to ignore her phonecalls in an effort to make her move on, with no explanation. He's all confused about his feelings and chickens out of calling to the house, instead deciding to show up at Lila's party that night.

"I'm too much of a coward to face her alone", he admitted. 

Todd has an entire conversation with himself in the car, while he works it all out. Sunset Beach style.

Steven is on the way home for dinner before Lila's party, and sees a girl pulled in off the side of the road with a flat tyre. It turns out that it's Cara Walker, which shocks him for some reason.

It was Cara Walker - just about the last person Steven would have expected to run into on Route 29. Somehow he'd always gotten the impression that Cara was incapable of driving to the supermarket, let alone taking the car out on the expressway.

Is that because you're a massive dickhead, Steven? I think it miiiight beeee.

He helps her change the tyre and she thanks him but gets a bit upset, as she's been having family problems and has had a lot on her mind lately. Steven graciously takes pity on her and they go for coffee at a nearby place, where she fills him in on the fact that her parents have separated and how hard it's been, not least because they've split her and little brother up, and he's now living in Chicago with their father.

Steven couldn't get over the change in Cara. The tragic battle that had been waged in her household had had one positive effect: Cara had grown up. Gone was the spoiled, silly girl Steven had once known. In her place was a sensitive, intelligent young woman, whom Steven thought he wouldn't mind getting to know better.

Ok FIRST OF ALL, she's still sixteen Stevie, so put those pants back on. SECOND OF ALL, fuck you. She's a kid and shouldn't HAVE to "grow up" and deal with this kind of thing. Sixteen year old girls can be both silly and intelligent, you massive dick. It's what being sixteen is FOR. You just couldn't bother your hole getting to know her properly, so now that she's going through a terrible time you suddenly deem her worthy of your precious attention. And her misery giving you a boner is not a "positive effect", it's you being CREEPY.

They decide to go to Lila's party together and spend their time there in deep conversation, which enrages Betsy Martin, (sister of Tricia, Steve's former girlfriend/Victorian ghost doll who died from leukemia a few months previously - these kids live in an actual soap opera) because she feels like it's too soon after Tricia.

Todd then shows up, surprising everyone, especially Liz, who is caught rapid dancing with Nicholas with her head on his shoulder. Todd runs off and Nicholas takes Liz home because she wants to be alone. When they get to the house, she tells Nicholas that she's not ready to be involved with him and apologises. He's hurt, but accepts her decision for once in his life, which is something. Jessica comes home shortly afterwards and confesses to Elizabeth that she told Todd to leave Liz alone. Elizabeth runs off to track Todd down and eventually finds him sitting outside his old house.

They have a big long talk and decide that they'll lead their separate lives and date other people, but they still love each other so they're leaving things open ended for now, whatever that means. Elizabeth decides that they're both better off now, so she's not mad at Jessica for interfering any more, because Jessica literally gets away with EVERYTHING so why change the habit of a lifetime? Also, it turns out that after they left the party, Betsy Martin kicked off at Steve and made a huge scene, accusing him of forgetting about her sister. Steve stormed out without saying goodbye to Cara and everyone involved is pretty upset, so now we have our storyline for the next book. Woo!

Notable outfit:
Shoutout to Jody McGuire, injecting some much-needed rock 'n roll into a town full of squares.

Wearing a black leather jacket and skintight leather trousers, the girl who stood there looked like someone in a movie about punk rockers. She had at least six earrings in one ear and the longest fingernails Elizabeth had ever seen.

You know, apart from being a dick move, Elizabeth laughing at this girl was a risky move, because she sounds like she would fuck. Her. Up.

Things I counted:
Number of pages:153
References to the twins' blue-green eyes: 4
References to the fact that the twins are blonde: 10
Amount of times people look "miffed": 4

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Monday, May 11, 2015

Hard Working Girl Heroes

A few weeks ago, after getting home from seeing Age of Ultron in the cinema, Nine to Five was on telly. It started pretty late, and wasn't going to be over until two in the morning, so I wasn't sure I'd even make it to the end. I'd seen it before, years and years ago when I was fairly young so the jokes went clear over my head and my favourite part was Lily Tomlin's revenge fantasy sequence, because cartoon woodland creatures.


But stay up until two I did, because Nine to Five is a goddamn feminist fairytale DELIGHT, and after watching a film earlier that evening where two capable and fascinating lady superheroes cracked plenty of robot skulls, but hardly said a single word to each other, a film with three female leads somehow felt newer and more relevant, despite the fact that it's 35 years old. (And not 25 like I originally calculated, until the Bear pointed out that the 90s were not in fact ten years ago.)

Starring Lily Tomlin as Violet, a super efficient office supervisor who's been repeatedly passed over for promotion because she's a woman, Jane Fonda as Judy, a naive former housewife, freshly divorced and entering the workforce for the first time, and Dolly Parton as Doralee, the cute-as-a-goddamn-button secretary to their obnoxious sleazeball boss, Nine to Five doesn't just pass the Bechdel Test, it invites it over for gin and popcorn and Death Becomes Her on DVR so you can fast-forward through the ad breaks.

After being mistreated one too many times by the aforementioned boss, the three women bond in a nearby bar, get stoned, and fantasize about exacting revenge on the "sexist, egotistical, lying, hypocritical bigot" that is Mr. Hart. The fantasy revenge scenes are a super fun and surreal deviation, featuring Judy dressed like a lady Indiana Jones big game hunter, chasing a terrified Mr. Hart through the office, Doralee as a gleeful horndog cowgirl, turning the tables on the sexual harassment Hart has made her endure, and Violet as a murderous Snow White, lacing her odious boss's coffee with rat poison.


Following a series of screwball mix-ups and mishaps, they end up kidnapping Mr. Hart, trussing him up in an S&M style harness attached to the ceiling in his fancy house (but not before Dolly hog-ties him in the office with a phone cord, like a boss). There's even a delightfully jaunty montage of some very practical shopping for holding a man hostage. They're actually very accommodating, making sure he has cigars and magazines and everything. However, the intrepid trio also have an enemy in Roz, who works as Hart's executive assistant and informant, ratting out other women at every opportunity because Roz is a LAPDOG OF THE PATRIARCHY.

While Violet, Judy and Doralee hatch a plan to blackmail their boss, they kill time by making the office a 100% better place to work in and get a heap of feminism all up in it, introducing day care, diversity, flexible working hours and a coat of cheerful paint on the lockers. The workplace they've created is better than most workplaces right now. Their office initiatives even sort out their co-worker Margaret's alcoholism. By the time the chairman of the board arrives on the scene (dressed as Colonel Sanders for some reason) the office looks like 1980s Google.

As an aside, this was Dolly Parton's first film role, which is outrageous, because she's like a lightbulb in every scene and almost indecently adorable. Also, 1980 was approaching a pretty dicey time in fashion and yet Dolly manages to look unfailingly wonderful in everything she wears. How bloody rude.


It's by no means perfect, but honestly, watching it now, Nine to Five felt current and refreshing. It's not like we're inundated with feminist films these days and considering that women comprised just 12% of the protagonists in the top-grossing films in 2014, we need more fucking films like it. We're at a point where almost any new female-led comedy is billed as "Bridesmaids meets [insert random title here]!!", even if the only thing it's got in common with Bridesmaids is more than one female character who's not just Buzzkill Girlfriend or Nagging Wife. We're so starved of blockbuster-sized, hilarious, well-written, female-driven comedy that we have to keep referring back to one single film from four years ago. (And I'm really just talking about films here, as Broad City, Amy Schumer, Tiny Fey and Amy Poehler have been doing sterling work on this front in TV.)

Pitch Perfect was bizarrely described on its posters as "Bridesmaids meets Ted!", despite the fact that it featured neither a wedding, nor an asshole teddy bear. The Duff was billed as "Bridesmaids meets Mean Girls!", Brit comedy The Knot was "Bridesmaids meets The Hangover!" and a Jennifer Lopez film called MILF is in production and being touted as "Bridesmaids meets First Wives Club!" It's an epidemic. A movie could be about nurses in World War Two, working in the field and if it wasn't 100% deathly serious it'd be billed as "Bridesmaids meets Saving Private Ryan!"

In any case, I highly recommend a viewing of Nine to Five. It's got feminsim, zingy one-liners, Lily Tomlin being fantastically acerbic and possibly one of the greatest theme songs ever written for a film. Also, fun fact, the typewriter noise in the song was made by Dolly clacking her acrylic nails off each other, because DOLLY IS PERFECTION.


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Thursday, May 07, 2015

Sweet Valley High Revisited - Too Much In Love

This post was supposed to go up yesterday, but when I went into my drafts folder to publish it, the bastarding thing had gone and fucking disappeared. I still have no idea what happened, and after moping on Twitter for a bit, I went home and rewrote the whole entire thing while vowing never to entrust a completed post with Blogger ever again. And swearing quite a bit.

ANYWAY. Let's jump back into the Sweet Valley timeline, after that summer bike trip tangent.

*cough*pleaselikemyfacebookpage*cough*

Sweet Valley High #22: Too Much In Love


It's dinner time at Casa Wakefield, and Ned and Alice are going to be out of town for a few days, as Ned is working on a big case and there's another lawyer in Mexico City who has a bunch of documents there that he needs and apparently there's no such thing as the postal service in this universe. The twins convince their parents that they can take care of themselves while they're away and certainly don't need a babysitter. Ned and Alice agree to let them stay home on their own, after all it's not as if either of them have ever been kidnapped, or tried to run away from home, or got into a near-fatal motorbike accident, or ended up abandoned in a forest at night, wearing nothing but a bikini after being almost sexually assaulted by a college dude.

Elizabeth is in charge of organising an upcoming school talent show and calls up DeeDee Gordon to ask if she'll design the sets for the background of each act. However, DeeDee is all squirrelly and weird and won't commit to doing it until she talks to her boyfriend Bill about it first. Elizabeth is puzzled by her reaction, as Bill has nothing to do with the show and DeeDee is usually super excited about design projects. Elizabeth mentions it to Patty Gilbert, DeeDee's BFF, "a beautiful black girl with short, dark hair and large, sparkling brown eyes." Oh my god! It's only taken 22 books to introduce a person of colour, other than Penny Ayala. DIVERSITY! Apparently, Patty is "one of the most popular, talented girls in her class", although how popular can she really be, if this is the first we've heard of her, HMM? Anyway, Patty has also noticed a change in DeeDee and tells Liz that she'll get her to commit to doing the set design.

It turns out that DeeDee is being all strange and insecure because her parents split up and her mother told her it was because she and DeeDee's father didn't make enough time for each other in their relationship and then things just fell apart. As a result, DeeDee has gotten super clingy with Bill and has abandoned all her other interests, like the art classes she was attending. She turns up at his house unannounced, freaks out if he doesn't seek her out to say hello before homeroom and waits around outside the boys locker room for him to finish swimming practice.

Meanwhile, poor Bill is feeling smothered by the sudden change in his girlfriend and feels like he's spending all his free time smoothing things over with DeeDee because she keeps getting upset at how busy he is. We discover that DeeDee is also acting this way because her art teacher had told her about her own divorce and how her ex has remarried a plain and unthreatening woman, who had no career or other pursuits to distract her. Teachers are always confiding in their students in this town and it's really pretty weird.

They're supposed to have a double date with Patty and her boyfriend from out of town on Friday night, but Bill ends up qualifying for regionals (like Glee! But with swimming!), and instead of just going out with her friends and meeting up with Bill later on, DeeDee drags Patty and her boyfriend to the swim meet. She then proceeds to make a holy show of herself when Bill wins, running down the steps to the pool, screaming his name and throwing her arms around him, mortifying the poor fella.

With the Wakefield parents out of the way for the week, Jessica immediately starts planning a massive house party and enlists Lila Fowler to help her, as the key to an excellent party is down to the guest list, apparently. Lila is seeing a college guy called Drake, and decides to invite him and some of his mates along to liven things up. So that's definitely going to go well.

That weekend, Bill is supposed to meet DeeDee on Saturday night, but he has the day to himself and has arranged to go see an old movie with fellow film buff Dana Larson that afternoon. He feels guiltily relieved to get a break from his newly overbearing girlfriend and hasn't told her about his cinema plans, as it would only upset her. Unfortunately, as they're leaving the cinema, they run into Jessica and Cara out shopping for the day. Never one to miss an opportunity to ruin someone's day, Jessica tells DeeDee about Bill's trip to the movies, making it sound like DeeDee has something to be worried about, even though she knows full well he and Dana are just friends. For all her suntanned, "All American" good looks and winning smile, Jessica is essentially a cruel person. You see, Bill had the nerve to go and hook up with DeeDee instead of Jessica, like fourteen books ago, but nothing holds a grudge like Jessica Wakefield's vagina.

These are supposed to be sixteen year old kids! DeeDee looks positively middle aged! Real Housewives of Sweet Valley howareya. Also, Bill looks like an Eighties Aryan villain of some sort. That's a sinister jawline if ever I saw one.
At school, DeeDee and Bill end up having a massive row and breaking up and of course Elizabeth just HAPPENS to be nearby and runs into DeeDee right after Bill has stormed off.

Just then Elizabeth walked into the lounge, "DeeDee!" she said, startled. "What's wrong? You look terrible!"

Fucking hell Liz, put the boot in anyway.

Elizabeth tells DeeDee to try talking to Bill again when they've both calmed down. She does so, but Bill says he needs more time. "He just wasn't ready to be shackled again." Ouch. Without Bill to pester, and with her self-esteem at an all-time low, DeeDee starts plaguing Elizabeth looking for help and advice with the sets for the talent show. Elizabeth already has loads to do and DeeDee is driving her cracked, so she and Patty come up with a plan to help DeeDee realise that she can do this, get her confidence back and take her mind off Bill in the process.

Elizabeth calls DeeDee and tells her that she's sick and can't come into school and asks DeeDee to take over setting up the show. After a chaotic organisation meeting where everything seems to be going wrong, DeeDee eventually gets into the swing of things, sorts out all the problems that have sprung up and starts to enjoy design work again. She has a chat with her mother, who explains that the divorce happened because she and her father had become different people and it wasn't because she had her own interests. DeeDee ends up throwing herself into the work and becomes so busy that when Bill calls one evening she doesn't even come to the phone because she's painting and in the zone.

The night of Jessica's free gaff party arrives and it's all going rather well, until Drake and his friends show up "reeking of beer" and end up taking the party up more notches than Jessica is ready for. The neighbours complain about the noise and two cops show up at the door, looking for someone over the age of eighteen who can take responsibility for the party, when Steven materialises out of a nearby hedge.

"I'm over eighteen," a familiar voice said behind Sergeant Malone. The next minute Steven Wakefield stepped out of the shadows.

Spoopy Steve.

As the Wakefield kids survey the damage after the party, they discover that a floor plan for a big important job their mother is working on has had beer spilled all over it and it was the only copy. (Although if it's actually that important then it seems pretty unlikely that it's the only copy, but whatever.) Jessica rushes over to DeeDee the next morning to see if she can replicate the drawings somehow. She apologises profusely for trying to sabotage her and Bill and DeeDee is way, WAY too nice to her.

"You don't have to apologise just to get me to help you."

Ehh, YES SHE FUCKING DOES. And the only reason she actually IS apologising is because she needs a favour, you can be sure she wouldn't bother her perfect size-six hole otherwise. DeeDee comes back to the house with her and redraws the plans in half an hour (HA!) just in time for the Wakefield parents to arrive home. Jessica ends up having to tell them about the party anyway though, because a fancy crystal vase got smashed. After being angry with her for all of four seconds, Ned and Alice forgive her and Jessica continues to lead her consequence-free life, despite being a terrible person.

The talent show goes really well and DeeDee gets a big round of applause for all her hard work. She's back to her old, confident self and she and Bill make up during the show, now that she's an independent woman (throw your hands up at me).

Olivia Davidson was the first entrant in the show. She played a love song on her guitar, and she sang in a sweet, clear voice that made tears come to DeeDee's eyes.

Fucking Olivia and her fucking guitar. I swear to god.

Eventually it's Todd's turn, but instead of doing a stand-up routine like he said he was going to, he goes all Buzz Killington and recites a Christina Rossetti poem about sorrow and death, because it turns out that he's moving away from Sweet Valley and is apparently a massive diva. He breaks the news to Elizabeth afterwards and we end with them holding each other and crying. CLIFFHANGER!

Notable outfit:
There were no outfit description in this one at all, which quite frankly just isn't on. So I'm going with the little intro we got for Dana Larson, who is always a delight.

She was a tall, pretty girl with a short, New Wave haircut, a dynamic smile, and a funky, offbeat wardrobe.

YES. TELL US MORE PLEASE.

Things I counted:
Number of pages:153
References to the twins' blue-green eyes: 9
References to the fact that the twins are blonde: 4
References to people crying: 26 (It's mostly DeeDee. She does a LOT of crying.)

Monday, April 27, 2015

The Cat's Miaow - Catwoman On Screen #2

It's time for the second part of my Catwoman's-first-appearance-in-Batman recap! (Part One is here.) Let's see how this goes.

(Also, I'm still scrambling for likes on my new Facebook page. Stop judging me!)


When we last left the Caped Crusader, he was Robin-less and faced with two doors, behind one is a ferocious Batman-eating tiger and behind the other is the fierce as fuck Catwoman.

However, Batman has chosen the wrong door, unleashing a fearsome (but actually sort of sleepy-looking) tiger! They swat at each other for a bit, and Batman pulls out some sort of Bat-claws that he uses to scale the wall of the room. Catwoman taunts him over the intercom, with: "It's been a long time between bites for Tinkerbell." Never one to let the chance of a public service announcement slip by, Batman replies: "You should take better care of him, Catwoman. After all, pets are a responsibility." Tinkerbell is clearly a girl-tiger's name, Batman. Cop on.

Hi there, Not Adam West!
Catwoman tells him she's off to deal with Robin, or "pluck his feathers", and signs off by saying "TTFN", before explaining that that means Ta-ta For Now. Catwoman was abbreviating before it was cool. You heard it here first.

Batman pulls some Bat Ear Plugs from his utility belt and "reverses the polarity on his communicator, then increases the audio modulation to about 20,000 decibels, knowing full well it will split the tiger's skull!" Wuh?

Come on, production designers. Someone's slacking off here.
All his fancy technical trickery actually does though is make the tiger lie down in a corner, giving Batman a chance to escape. He finds himself in a maze of passageways and marks his starting point by sticking this fucking FAB glittery Bat-Sticker on the wall.

Snazzy!

While Batman is dicking around getting lost in the passages, Catwoman has sprinkled catnip all over Robin and balances him over a tiger pit, with a needlessly complicated system of sand and weights that will drop him into it when the sand runs out, or something. I suppose just tossing him directly to the tigers and being done with it simply isn't as dramatic. Catwoman then leaves while he's dangling there and Julie Newmar is just MADE of gleeful sass for the entirety of these episodes, quite clearly having tons of fun and miaowing as she exits the room.


Batman finally comes to a window overlooking the scene of Robin's impending demise and uses his Batarang to heroically swing down to Robin and help him off the tilting plank thing, so they can smack some henchmen around. They manage to overpower the bad guys and leave them tied up for Chief O'Hara to pick them up, but one gets away.


Back in the Batcave, the Caped Crusader has brought the golden cat statues from Catwoman's lair and tries to figure out what the markings on the back of each of them means. After a quick perusal of the History of Gotham City, Volume II, Batman discovers that when put together, the markings on the cats form a map to the lost treasure of legendary pirate Captain Manx. And where does he keep his Gotham history books? On the Bat-Research shelf, of course! One of the many things I enjoy about this series is that EVERYTHING IS LABELLED. EVERYTHING.


They also figure that they should be able to locate Catwoman from the radioactive spray they covered one of the statues in, as she had it with her for so long. I suppose that's one way to defeat your enemies, Batman. A slow death from radiation poisoning.

Batman switches on the Batometer and to stop it from picking up on all the radiation on the statues, Robin puts them into the lead-shielded compartment in the boot of the Batmobile. Of course it has a lead-shielded compartment, sure why wouldn't it?

They follow the Batometer to Catwoman, who has uncovered the treasure in a cave with her remaining henchman, Leo. "Now there's just two of us left to share it!" exclaims poor, foolish Leo. Catwoman gives him a look like she's about to eat him for dinner and says "Yeessssss. The two of us." and it's pretty clear where this is going for Leo.


Meanwhile, the Batmobile comes hurtling along the road to the cave, while landmines explode underneath it without managing to do any actual damage to the car or its passengers, due to its Bat-armour. Batman and Robin pull over when they see Catwoman's car and the van that Leo arrived in and find a trail of footprints. "Only one man has feet that big," deduces Robin, who must have memorised every secondary character's shoe size, and they follow the trail into the cave. They arrive just as Catwoman has sprayed Leo with some manner of knockout gas from the handle of her whip and is about to make off with the treasure.

They chase her through the cave, until she reaches a gorge. Batman tells her to stop and that she'll never make the jump while holding on to the bag of treasure, but she goes for it anyway because Catwoman don't listen to no man.


Unfortunately, she doesn't quite make it and ends up holding on to the ledge on the far side. Batman tries to get her to drop the bag and grab on to the rope he's about to throw to her, "Drop it Catwoman, otherwise you'll fall into that bottomless pit!" She does no such thing however, and ends up losing her grip, falling into the crevasse along with her bag of loot.

"Do you think she survived?" bleats Robin. "A cat is supposed to have nine lives," replies Batman, while they pick up a cat that's been left behind in the cave. So instead of conducting any kind of search for her, or indeed the treasure, which was supposed to go towards the orphans of Gotham, they just shrug and leave with the cat.


Back in Wayne Manor, and back to four tier chess (still don't know why), until Aunt Harriet comes barrelling in, carrying the aforementioned cat, calling it a thief because it stole the lobster she was making for dinner that evening. "It steals everything it can lay its paws on!" I love it. Even Catwoman's actual cat is a villain. Robin's reasoning: "You have to understand, Aunt Harriet, that cat comes from a broken home!" Robin is weird.

Anyway, that concludes Catwoman's first appearance in Batman.

TTFN.

Tuesday, April 14, 2015

Sweet Valley High Revisited - Super Edition: Perfect Summer

Right, it's Super Edition time you guys, because this one appears to have been the next book published, although it seems that number 22 in the series picks up where Runaway left off, so this is a standalone story that sorta jumps out of the established timeline. Just go with it.

(Also, please throw my new Facebook page an aul like, as I've managed to go and lose all my previous likes by getting kicked out of the account and page I had been using. Sigh. So that's where you'll find me on Facebook from now on.)

Sweet Valley High Super Edition: Perfect Summer
 

It's summertime and the Wakefields are going on a month-long bike trip along the California coast with Todd, Annie, Lila, Olivia, Roger, Bruce, Bruce's friend Charlie who we've never heard of before and Barry Cooper, the principal's nephew from Ohio. Chaperoning this trip are sexy Roger Collins and also-sexy Nora Dalton, teachers who have split up recently and are apparently willing to give up a month of their summer holidays to cycle around with their ex and the students they see every day. Yup. Sounds like literally none of the teachers I know. And I know a LOT of teachers. My extended family is like 80% nurses and teachers. Why yes, I *am* a culchie, however did you guess?

So, everyone arrives at the school with their bikes and all their gear, and when Chrome Dome Cooper pulls up in his car, everyone is excited to see what his nephew looks like. It's Sweet Valley, so everyone expects him to be a Grade A Ohio ridebag and nothing less, as only beautiful people are allowed into this town, but UH OH. Looks like border patrol were caught napping, because poor ol' Barry is a bit of a chubster.

All eyes were on the pudgy, pale-faced boy who waddled out.

Pudgy. Pale. Waddled. WADDLED, like. HE JUST GOT HERE, LAY OFF.

Elizabeth felt a sinking sensation in the pit of her stomach. She suspected that Mr. Cooper's roly-poly nephew had come all the way from Ohio for a whopping big dose of trouble.

Roly-poly! Fuck you, Liz! Immediately before this, Jessica refers to him as a toad and Lila calls him a loser. All of these insults get tossed at Barry in ONE PAGE. It's basically pre-diet Robin Wilson all over again.

The gang sets off on their bike trek and go camping, taking turns to cook dinner, light the campfire, cycle with the group equipment and so on. Elizabeth writes letters to Enid that get us up to speed on what everyone's deal is, such as the fact that Annie Whitman and Ricky Capaldo broke up recently and Charlie seems to fancy Annie, Bruce being mean to his cousin Roger, because Roger's a Patman now, Mr. Collins and Ms. Dalton being frosty to one another and Barry being a hopeless misfit, slow at cycling and incapable of doing anything right.

Barry Cooper had just emerged from the tent he had shared with Mr. Collins (the fuck, Roger?) and was trying, without much luck, to stuff his sleeping bag - as bulky and inappropriate for camping as Barry himself was - into a sack made for a much sleeker kind of sleeping bag.

AS BULKY AND INAPPROPRIATE FOR CAMPING AS BARRY HIMSELF WAS.

Apparently only skinny people are good at camping. How DARE he sleep in a tent, and he a fat kid. CAMPING IS FORBIDDEN FOR FAT PEOPLE. WAKE UP BARRY.

After a few days of cycling and camping, the group arrive in Los Angeles, where a friend of Bruce Patman's dad, Steve Thomas, has offered the group the use of the grounds attached to his fancy mansion. So instead of putting them up in what is clearly a massive fucking house, the kids and teachers have to camp in his garden. Thanks for nothing, Steve. Mr. Thomas has a beautiful but obnoxious daughter named Courtney, who's rude to everyone, including her dad, and has a no-good, motorbike-riding, mowhawk-sporting boyfriend called Nolan, who wears leather wristbands and is quite clearly Bad News. Nolan turns up when Courtney is supposed to be showing the Sweet Valley group around, so she calls the SV kids a bunch of goody-goodys and takes off on the back of Nolan's bike.

Mr. Thomas later confides in Roger Collins and Nora Dalton (who he's literally just met) that Courtney is a bratty pain in the hoop and asks if they could take her with them on the rest of their expedition, as it might do her some good to be away from LA and around some wholesome team players who don't wear leather. For some reason, they agree to take his nightmare daughter with them and the next day Courtney is suddenly all sweetness and light and fresh blueberry muffins. Everyone is amazed at her transformation, but Jessica isn't fooled, as she's still annoyed, nay, OUTRAGED at being referred to as goody-goody.

"Nobody calls me a goody goody and gets away with it." You tell 'em, Jess. How VERY dare she.

Courtney charms the whole group, but Elizabeth isn't entirely convinced by her sudden personality change either and is none too happy that she seems to be sidling up to Todd quite so much. The group leave LA with their new member, and Jessica and Lila pretty much immediately begin to scheme and plan for a way to get Courtney off the trip. Neither of them are buying Courtney's act and Jessica can see that Courtney's play for Todd is making Liz miserable. Todd, however, is totally oblivious and is just being friendly as far as he's concerned.

The group arrive at a youth hostel, and Jessica spots a guy "too gorgeous for words", so naturally, she must have him. She later finds out from other kids staying at the hostel that his name is Robbie October (!!!) and he's cycling along the coast with his brother Danny. But, the other kid warns, they're "totally wild" and were kicked out of the first hostel they stayed in for throwing beer bottles out the window. Rock 'n roll, Robbie!

Meanwhile, Courtney is writing a letter to Nolan, outlining her fiendish plans to steal Todd away from Elizabeth, as having a good boy like Todd by her side will somehow lead to her being allowed to come home early from the bike trip. She's going to make up a bunch of stories about a troubled home life and is pretty much seconds away from an evil cackle the whole way through the letter, as she is a Bad Gal.

It turns out that Jessica and Lila's dastardly plan to get Courtney to leave the trip involved secretly putting lime jelly in the bottom of her sleeping bag to gross her out. However, Lila got the sleeping bags mixed up and put the jelly in Nora Dalton's one by mistake. Jessica thinks she did it on purpose, because Nora has gone back to dating Lila's dad and Lila is none too happy about it.

Jessica writes a letter to Cara Walker, bitching about Courtney and I'm really only mentioning it because of this line in it:

What's absolutely incredible is that all she has to do is toss her mane of hair and smile, and everyone buys her act. Especially boys.

Which is hilarious, because that's BASICALLY YOU, JESSICA. It's so funny how any other girls that come into these books and act exactly like Jessica does are cast as devious villains. I mean, flirting with someone's boyfriend is a quiet day for Jessica, but when Courtney does it she's pure evil.

Ooh also, while she's giving out about Courtney throwing herself at Todd and Todd being too dopey to see what's going on, she writes:

"Somebody ought to give both Todd and Courtney a sound spanking!"

DAMN GURL. I'm not sure that would play out quite the way she intends.

Look at Elizabeth on this cover! SO pretty! Well done, cover artist for not making her look like she's forty like they usually do. Her high-waisted shorts are super cute, but a frankly terrible idea for cycling, as they would 100% end up wedged up your hole. Jessica looks like an eejit.

Anyway, the gang are staying in another hostel and Jessica and Bruce are on dinner duty, when Lila bursts into the kitchen to talk to Jessica about their plan to get Courtney to leave the trip. Jessica leaves Bruce chopping onions, and he is decidedly not impressed.

"Next time I'm going to remember to bring my cook along when I go away," he mumbled.
Jessica sighed. "Honestly," she said when they were out of Bruce's earshot, "he's as bad in the kitchen as you are. What do you people do on the servants' night off, anyway?" 
Lila looked Jessica straight in the eye. "Cold lobster and caviar," she said earnestly.

COLD LOBSTER AND CAVIAR. Lila Fowler you magnificent bitch. I love you.

Lila wants to back out of the plan to sabotage Courtney's trip, because Courtney's stories about problems at home and her father being an alcoholic have made their way around the group and Lila doesn't want to pick on her anymore. They have a bit of an argument because Jessica doesn't believe a word of it, but their disagreement is cut short by the appearance of none other than Rock 'n Roller Robbie October. Jessica gets her game face on and runs up to him, throwing her arms around him while exclaiming "Bart! Bart Templeton!", because player gotta play. After acting all embarrassed at her "mix-up", it turns out that Robbie is off to a bar in the next town, like the bad boy rebel he is, and asks/dares her to come with him. He also acts like she's a total square for being on a group bike trip with all their "rules and chores and people looking over your shoulder all the time", but come on Robbie, cycling along the California coast with your brother isn't exactly the work of a hellraiser. Before Jessica can decide if she's going to ditch her kitchen duties, Bruce interrupts, telling her to knock off "the enchantress act" and come back to help him. Robbie leaves, Jessica is distraught that she's missed her chance with him and in a move completely inconsistent with his character, Bruce is really sweet and funny with her because she's so upset.

Lila gets chatting to two boys in the hostel (called Pat and Don, which makes them sound like a pair of fifty year old men), who recognise Ms. Dalton as Beth Curtis, a French teacher who used to work at their school in Arizona and mysteriously left town a year and a half ago. Lila finds out that Nora Dalton was married to some rich dude who killed himself when she left him and then uses her knowledge of Nora's secret identity to make her do stuff like carry the pots and pans when it's actually Lila's turn and other incongruously small-scale things, considering she's blackmailing her teacher.

For one of the stops on their trip, the gang end up setting up camp in an unused greenhouse owned by a random kindly lady in return for doing some chores in her flower shop. They all sleep in this old greenhouse for the night, which seems like a fucking outrageously terrible idea. I mean it's bad enough waking up in a tent at Electric Picnic on a vaguely sunny morning, sweating your actual face off, nevermind a GREENHOUSE in CALIFORNIA in SUMMER. YOU'LL BE COOKED ALIVE, YOU FOOLS. Anyway, this merry band of idiots are delighted with their sweatbox camp for the night.

Todd held Elizabeth close as he hummed along with the guitar Olivia had brought with her. On the other side of the old greenhouse, several of the kids sat around Olivia in a circle, singing as she strummed.

Fucking Olivia. There's always one. Also, this means that she's been cycling for this entire trip with a guitar strapped to her back, just so she can inflict Blowin' in the Wind on her mates. Which is what she's playing at this point. Goddammit Olivia.

Later that night, when everyone's asleep, Elizabeth wakes up to hear Courtney crying and notices that this LA bitch has also maneuvered her sleeping bag so she's lying on the other side of Todd. Before Elizabeth can say anything, Todd wakes up and comforts Courtney, stroking her hair before they both go back to sleep holding hands. Fuck. This. Girl. Also, extremely uncool Todd. Come on, dude.

The next day, Todd and Liz have a big row about Courtney, Todd insists that they're just friends and that Liz should be more sensitive towards Courtney, what with all her alleged family problems, but Liz reckons that he crossed a line. They can't manage to agree on anything and the row escalates to the point where they break up and Liz is left alone, crying into the spaghetti sauce she's making for everyone's dinner.

Weirdly, no one seems to have noticed that golden couple Liz and Todd have broken up, and the group have moved along the coast to a state park campground in Big Sur, where Jessica manages to run into that rebel on a pedal bike, Robbie October. The fact that on this occasion she's "barely covered by a copper-coloured bikini" and expertly throws a frisbee back to Charlie Markus means that she actually gets Robbie's attention this time and they arrange to meet for a night-time hike when the Sweet Valley group are asleep so Jess can sneak away.

"I'll bet you're a night person, anyway." She arched one eyebrow suggestively.
Robbie took another careful look at her, his gaze caressing every inch of her. "You're right!" he said finally. "I am a night man."

Aaaaand now I have to leave this here. (Trust me, this is hilarious if you watch It's Always Sunny in Philadelphia.)


The next morning, everyone wakes up but there's no sign of Jessica. Elizabeth eventually gets it out of Lila that Jessica had planed to meet Robbie to go see some waterfall in the middle of the night. Todd knows where the waterfall is, so Mr Collins tells him to take Elizabeth along one of the paths to it, and he'll check the other route with Charlie, Roger and Barry. (Mr. Collins gently tries to talk Barry out of coming, because he's fat and slow, you see.) Courtney says she wants to help too, so she goes with Todd and Elizabeth and proves to be totally useless, screaming at the sight of a tiny water snake and moaning that she's getting a cold because it's been raining while they've been searching. Todd thinks they should go back to the camp if Courtney's getting sick, and Liz is like "eh, no, I'm going to keep looking for my sister, obviously". It looks like Todd is going to have to choose between Elizabeth and the crafty bitch that's trying to steal him away, but just in time, the other group shows up, so Liz goes with them and frostily tells Todd to take Courtney back.

Meanwhile, Jessica and Robbie are trapped in a cave with a black bear because they got lost on the way to the waterfall and ended up in the cave when it started raining, without realising it was already occupied. The group that Liz has joined then comes across the cave and see what's happened. Charlie goes to throw a rock at the bear, like an idiot, and Barry stops him, because the bear is just trying to protect her cubs and black bears aren't usually violent, unless confronted.

Elizabeth and Mr Collins exchanged a look of total astonishment. Who would have guessed that under his insecure, butter-fingered pudgy exterior, Barry was an expert on animals?

Jesus Christ, maybe people who AREN'T terrible? Just because he's heavy doesn't mean that his only interests are cake and sandwiches, you DICKS.

Also, while they're taking this moment to get some digs in at Barry, despite the fact that he's actually being helpful and stopping Charlie from making the situation worse, let's take a look at some of the other ways this book and its characters has referred to him, since Liz's "roly poly" thought, up till now.

"tub of lard", "butterball", "jelly belly", "awkward, heavy-set boy", "big fat klutz","slow as molasses"

Real nice kids, that Sweet Valley group.

Anyway, Barry then runs at the bear and gets her to follow him while he tries to lead her away. Jessica and Robbie get a chance to come out of the cave and the bear doubles back when she hears one of her cubs crying. Mr Collins then runs over, "scooped the exhausted boy up and hoisted him over his shoulder", which seems unlikely if Barry is as hefty as the book is constantly telling us. Unless Mr Collins is built like The Rock or Terry Crews. After the incident, everyone is really sound to Barry and Jessica even kisses him on the cheek and deigns to give him some of her valuable attention. Because if you're not sexy, you have to literally save someone from getting eaten by a bear to get any respect from these assholes.

That night, after everyone is gone to sleep, Courtney wakes Todd and tells him she has to talk to him about her father. While she's waiting for him to get dressed, she smokes a Marlboro (because she's evil) and we find out that she called her father a few days ago and convinced him to let her come home after saying that she missed him and that Todd was going to come back with her. Steve Thomas has agreed to let her leave early, because he thought Todd was the best guy ever when he met him, so Courtney's plan has all fallen into place. When Todd comes over to her, she finishes her cigarette, "carelessly flicked the rest of it into the bushes behind her" and tells Todd that she has to go home because she's "so worried" about her dad and his drinking and he just sounds worse and worse every time she calls home. She convinces Todd to come back to LA with her, kisses him and says that they can leave the following day.

Later that night, Elizabeth wakes up and smells something burning, because OH NO, FOREST FIRE. Everyone scrambles to try to put the fire out, Lila is freaking out and when Nora Dalton tries to calm her down, she starts screaming about how Nora just goes around ruining people's lives, like her husband's, and Roger Collins is like "Husband?! Wtf!?" but now is really not the time you guys. The group work together and eventually put the fire out. Afterwards, Roger Collins asks Nora what the this whole husband business is about and she tearfully tells him that the man she married turned out to be horrible and violent, so she left him and when she wouldn't come back to him, he killed himself. His wealthy and powerful family then turned on Nora/Beth and said they'd ruin her life if she told anyone what he was really like, so she fled and changed her name to get away from them. It also turns out that George Fowler knows this family and realised who Nora really was, so he was blackmailing her into dating him or something. It's pretty dark, but they sort of breeze past that bit. Anyway, Nora, or Beth as I'll have to call her now, unless they pull an Armin Tamzarian on us, makes up with Mr. Collins and they get back together.

In the meantime, Elizabeth is blaming herself for the forest fire, as she was the one responsible for putting out the campfire that night. She has a heart-to-heart with Mr. Collins and tells him all about Todd and Courtney and that Todd is no longer her boyfriend.

"The astonishment on his face was clear. And it was no surprise. Elizabeth and Todd had been the first to agree when people said they were a perfect couple."

Insufferable.

Mr. Collins then tells Elizabeth that Steve Thomas sent his daughter on this trip to get her away from Nolan Ruggers and they agree that neither of them believe a word of Courtney's sob story. The group reassembles and Beth Curtis has been telling everyone about her true identity, even though it's none of their goddamn business. Afterwards, Liz confronts Courtney in front of everyone, pushing her on the real reason for her being on the trip. Todd jumps to her defence and Liz tells everyone that she's leaving the trip too, because the fire was her fault. Everyone is astonished and about to cry because if the group is losing Saint Elizabeth, they might as well have all died in the fire. Todd then pipes up about Courtney and her nefarious fag-smoking ways, prompting her to lose her shit and start screaming at everyone, showing her true colours. EVIL COLOURS. She gets sent to stay with her aunt, Liz and Todd are reunited, Patmans Roger and Bruce are all good, Annie and Charlie have hooked up and everyone has a nice time for the reminder of their trip.

It was actually a pretty sucky summer overall, so the title seems like a bit of a misnomer here.

Notable outfit:
There wasn't much in the way of fun outfits in this one, seeing as the group had to carry whatever clothes they packed while cycling, so Courtney gets this one for her ensemble at the send-off dinner her father hosts in the mansion before the group departs from LA.

She was swathed in an exotic Indian silk sari, shot through with gold threads. Her hair was gathered loosely off her face, but a few stray black curls cascaded softly down around her shoulders. To complete her outfit, a pair of crescent-shaped hammered-gold earring dangled from Courtney's ears.

GAWD Courtney, cultural appropriation, much? Inapprops.

Things I counted:
Number of pages: 249
References to the twins' blue-green eyes: 10
References to the fact that the twins are blonde: 5
References to Todd's coffee-brown eyes: 6 (Get in there, Todd!) 

Tuesday, April 07, 2015

The Cat's Miaow - Catwoman On Screen #1

Over the last while, The Bear and I have been working our way through the Adam West Batman series from the 60s. I was given the box set as a present a while ago and let me tell you, it is a DELIGHT. However, it was only over the weekend, in episode 19 of the first series, that Catwoman made her first appearance. And if there's one thing I love, it's a bit of Catwoman. As such, I've decided to take you through this most illustrious of episodes, aptly titled "The Purr-fect Crime".

***
Also, I've had to set up a new Facebook page for the blog, as I've been locked out of the account I had been using, due to my name not actually being Kitty Catastrophe in real life. Boo. So if you wouldn't mind liking this one, I'd appreciate it muchly!
www.facebook.com/redlemonadeblog 
***


Before we begin, I just want to point out how Catwoman looks in the cartoon titles of the show:


i.e. AMAZING. Look at that collar! The scowl! The mask! Love it. However, it's nothing like she looks in the show, so I do wonder if they just threw her into this title sequence well before figuring out how they were actually going to approach the character, considering it takes eighteen episodes before she turns up. Interestingly, it's actually not unlike how Catwoman currently looks in the DC comics universe. In any case, onto the episode in question!

We begin in the Gotham City museum, with a security guard patrolling in front of a golden cat statue. He hears a miaowing sound, and when he asks "What's that?", the reply is the business end of a whip, cracking the gun out of his hand, followed by a cat that's definitely just been thrown at his face by someone offscreen.

Our first glimpse of Catwoman is a gloved hand with claws so sharp they can slice open the glass cabinet containing the cat statue before reaching in and stealing it, because girlfriend is on-brand and don't you forget it.


In the next scene, Commissioner Gordon receives a kitten in the post, with a clue tied to its collar, leading him to believe that Catwoman, or The Catwoman, as they keep calling her in this episode, is after the fortune of the owner of the cat statue.

BAT-TIME.

Cut to Wayne Manor, where Bruce is schooling his young ward Dick Grayson in the ways of chess. Four-tier chess to be precise. I have no idea why. 


"It's actually quite rudimentary, Dick. You just have to think fourteen moves ahead." Helpful.

Commissioner Gordon summons Batman and Robin to his office, where he fills them in on Catwoman's plans, in which she's going to steal a matching golden cat statue from the Gotham Exposition. Before speeding away in the Batmobile to put a plan into action, Batman delivers a quick lecture on road safety to Robin, who hasn't fastened his Bat-Safety Belt. Bat-safety first, kids.

Also, the Bat-Safety Belts are pink! PINK! Stick that in your dour gritty remake FACE, Christopher Nolan!
Meanwhile, in a gauze-curtained lair, hidden in the Gato & Chat Fur factory, Catwoman plots with her tiger-stripe sporting henchmen, Leo and Felix. Julie Newmar enters the room with a crack of her whip, looking like fine-ass gold-leaf champagne. She's reading up on the lost treasure of Captain Manx and laughs maniacally to herself, with a miaow thrown in at the end, because #personalbrand


Batman and Robin arrive back to the Batcave, where they use the atomic reactor to charge up the Batmobile. Robin could use a bat-safety lecture here too though, as the big pipe he's plugged into the back of the car is leaking that shit everywhere.

Holy radiation poisoning, Batman!

Batman does a spot of chemistry with the beakers and tubes that appear to be constantly bubbling and giving off smoke in the Batcave, while wearing a pair of gloves OVER HIS GLOVES. BECAUSE OF COURSE.


He's preparing a radiation spray that they're going to coat the second cat statue with in order to track it. Who needs a regular old tracking device when you've got all this spare radiation lying around?

Batman and the Boy Wonder head to the Exposition, conscientiously insisting that they pay for their tickets "just like any other citizen" and lie in wait for Catwoman. After spraying the statue with the radiation-spray, of course. When Batman leaves Robin alone with the statue to check the exits ("I'll be back in three minutes and twenty seconds"), Catwoman strikes via the medium of another leaping cat, which again looks like someone has thrown it, knocking Robin unconscious because it was a POISONED CAT.

Let's just take a moment to appreciate Julie Newmar's face in that cat-mask.
Batman returns just in time to see Catwoman make off with the statue and set her henchmen on him. After some CRRAACK!ing and OOOF!ing, Batman sees an unconscious Robin tumbling out of a sarcophagus (and falling perfectly within the illuminated circle of a spotlight, because he gets it) and rushes to his aid, while Leo and Felix take off.


Luckily, Batman has Universal Antidote Pills in his utility belt, so he revives Robin and they set off to track the statue from the Batmobile's Batometer.

Back in her lair, Catwoman is putting a plan in place for Batman and Robin's arrival, as she's expecting them to follow her and the statue to the factory. She then dismisses her ludicrous henchmen, swiftly followed by:

"Oh and Felix? You can brush my pussy willows before you leave."

WAT. I don't think anyone but Julie Newmar could deliver that line.

Check out that sweet cat-phone!

The Caped Crusader and Boy Wonder arrive at the Gato and Chat Fur Company, opening the door with the Bat-beam, in case it's booby-trapped. It was, and a bit of it explodes when opened.

Robin: "Right again Batman, we could have been killed!
Batman: "Or worse."

Huh?

When they step inside, Catwoman informs them via intercom that she's got a wonderful evening planned for them and a trapdoor opens under their feet. Textbook villainy. The Dynamic Duo (there are so many different names for these guys) find themselves in a room with rapidly closing spiked walls, while Catwoman taunts them as she watches on a television screen.


Gasp! Bat-gasp! But wait! The spikes are made of rubber and Catwoman was just fucking with them! Oh that tricksy kitty. She then sends a big Hunger Games tube down from the ceiling around Robin and steals him away from Batman. "You feline devil!" Catwoman then reveals two doors for Batman to choose from. She's behind one, but the other will release "a ferocious Batman-eating tiger".

Batman thinks for a moment, and presses a button to open his chosen door. But UH OH! IT'S TIGER TIME. Will Batman survive a tiger? What will happen to Robin? So many questions!


 SAME CAT TIME, SAME CAT CHANNEL. YASS QUEEN.

Monday, March 09, 2015

Sweet Valley High Revisited - Runaway

Shall we check in with those crazy kids in the Valley they call Sweet? Let's!

Sweet Valley High #21: Runaway 
 

The twins are in Jessica's room, bickering over a new blue silk blouse (foncy!) that Elizabeth bought and Jessica borrowed without asking, when their brother Steven arrives home from college. It turns out that he's dropped out for the rest of the term because he hasn't gotten over Tricia's death. Apparently that was only a few months ago, although we've been through nine books since then, which is why it feels more like years, rather than months, have passed.

Jessica feels a momentary twinge of guilt over what an absolute wagon she was to Tricia when she was alive, giving us some inkling that she may not actually be 100% blonde hair and pure evil. Of course, Jessica's attempts to ruin Tricia's life and make her own brother Steven miserable are breezily dismissed as "well-intentioned tampering", because this bitch just gets a pass on everything.

In any case, the twins decide to invite Steven to a party at Cara's house in an effort to cheer him up a bit and Elizabeth talks Jessica into being the one to do the asking. The Wakefields gather for dinner, and Ned has been on cooking detail, the massive dreamboat.

Her father, wearing an apron over his shirt and tie, was standing at a counter and fussing over the salad. On anyone else, the apron might have been comic, but Ned Wakefield was the kind of man who looked good in almost anything.

Alright ghostwriter, put your pants back on.

At dinner, Steven is distant and quiet but when Jessica brings up the party, he flies off the handle at her, thinking that she's trying to set him up with Cara again and accusing her of trying manipulate everyone's life, before furiously storming out. Then Ned and Alice have a go at Jessica for being insensitive, and only lay off when Elizabeth explains that it was actually her idea and that they didn't mean anything by it. Jessica is filled with righteous indignation, as her parents never yell at Elizabeth and she's always the one getting in trouble, so she flounces off to Dairi Burger to meet Cara.

While there, she runs into Nicky Shepard, a fast car-drivin', longish hair-havin', Shady Lady drinkin' bad boy who's a quiet, mysterious loner at school, yet is built like a football player. Sounds legit. He flirts with Jessica, and she reckons she sees a fragility or something in his eyes, so she's fascinated.

Cara's party is in full swing the following night, and while Steven eventually agreed to go, he's moping in the corner while everyone else is apparently having a wonderful time.

In one corner a group of people were playing Trivial Pursuit.

ROCK ON, KIDS.

Fed up with Steven's glum demeanour and everyone generally talking about how brilliant Elizabeth is, Jessica stomps out to the back garden and runs into Nicky. He smokes a cigarette and talks about how his parents don't care about him, that his dad works all the time and his mother is constantly busy with his younger brother Danny, who has asthma, so she never has time for him. Like, just get that kid some Ventolin and everyone chill. Be grand. Anyway, Jess and Nicky bond over feeling unwanted and they end up kissing and then dancing up a storm back inside, scandalising their square-as-fuck fellow students. They end up leaving the party together, while Elizabeth and Steven look on disapprovingly.

The next day, Elizabeth tells her parents that she thinks something is up with Jessica, as she's been withdrawn and passive, but Ned and Alice aren't concerned, and while they admit that she hasn't seemed like herself lately, it seems like "a change for the better". BURN! Alice, you shady bitch. Elizabeth then points out:

"It may be nice, but it just isn't Jessica."

HAA! SUCK IT, JESS!

Elizabeth then confides in Steven that she thinks something is up with Jessica. He tries talking to Jess but it all goes a bit wrong and they end up arguing, leaving Jessica feeling sad and like everyone prefers Elizabeth to her. In an effort to show that she's changed, Jessica makes dinner for the family but they all make jokes about how she gave them all food poisoning the last time and when Ned starts talking about an ongoing court case involving Ricky Capaldo's family, he dismisses Jessica's opinion and is all ears when Elizabeth chips in, and even invites her along to the hearing so she can write about it for the Sweet Valley News. (Sure why wouldn't the local paper want a sixteen year old writing their court reports?) In any case, all the Elizabeth-love makes Jessica feel even more like no one wants her around.

Fed up, Jessica goes out alone for the evening and runs into sexy Nicky being a sexy loner, sitting on the bonnet of his car, like a lukewarm Sweet Valley James Dean. He takes her to a gazebo in the town's oldest park, a place he likes to go to but has never shared with anyone else. However, Jessica is special, and she sees how sensitive he is while they bond some more over being misunderstood. He then confides in her that he's got a plan to run away to San Francisco and go into business with his friend Denny.

Hang on.

San Francisco?

DENNY?


WHAT KIND OF DRUGS, DENNY?

(If you have no idea what I'm talking about, I must insist that you watch The Room. You won't regret it. Although a few drinks probably wouldn't go astray.)

The next morning, Elizabeth is all set to join her Dad at the courthouse for the hearing and tries to get Jessica to come with her, but she's not having it and they end up arguing. Ned and Elizabeth head off to the hearing, and the paper has agreed to print Liz's articles about the case, because of course they'll want a sixteen year old court reporter when she's a Magical Wakefield. The deal with the case is that Ricky's parents got divorced and his father upped sticks and stopped paying child support. As a result, Ricky's mother is struggling and is trying to stop the grandparents on the dad's side from seeing Ricky and his sister, in the hopes that they'll pressure their son to pay up. Unsurprisingly, Ricky is none too pleased that his classmate is writing a story about his family troubles for all to read in the local newspaper, and he angrily asks Elizabeth not to write the story.

That evening, Jessica is at a party with Nicky, but this one doesn't have kids playing Trivial Pursuit in the corner. Oh no. This one has beer and joints and punky girls called Sheila with bright red hair and too much eyeliner. Jessica ends up telling Nicky about all her arguments with her family and how she feels like they don't want her around, so he asks her come to San Francisco with him when he leaves in a few days time. She decides that she couldn't leave, so Nicky tells her to think about it and they leave the party together. He's had a few beers but doesn't seem drunk, so Jessica reluctantly lets him drive, and in a twist that will surprise no one, they crash into a telephone pole on the outskirts of Sweet Valley.

Neither of them are hurt, and when Nicky calls his parents, they're furious with him and more concerned about the damage to the car, never once checking to see if their son and his friend are ok. They drop Jessica home, who manages to get out of it without her parents finding out, and that night she resolves to talk to her family and get everything out in the open the following day.

Unfortunately for Jessica, everyone else is super busy and has places to be the next morning, resulting in a series of conversations where each family member that she tries to talk to goes running out the door in a hurry. When she's finally left alone in the house, Jessica calls Nicky, who reveals that he's leaving town that night, as things have gotten so bad at home after the car crash, so Jessica decides she's going to follow him to San Francisco the next day. She tells her family that she's spending the weekend at Lila's house, packs up her shit and writes a suitably melodramatic note to Elizabeth, beginning with "By the time you get this, I will be far away", where she apologises for all the trouble she's caused and tells everyone she loves them. Jessica realises that she's only really leaving a note in the hopes that they'll come and find her, because she doesn't actually want to go. But hey, attention doesn't grow on trees. She leaves the note in her bedroom, but as she closes the door, a breeze knocks it over and it falls down behind the dresser it was left on. Ooooh, you jerky dramatic effect breeze!

Jessica looks like she's going to the gym in her Jennifer Beals from Flashdance jumper. But she's VERY SAD ABOUT IT. Also, there's hardly anything in that bag.

Meanwhile, at the courthouse, Ned's case to help Ricky's grandparents retain the right to see their grandchildren isn't going super well, as Ricky and his sister appear to support their mother in her decision. At one point during Ned's closing argument, Ricky walks out of the courtroom. His girlfriend Annie goes to follow him, but "Elizabeth stopped her with a look". Which seems unlikely really, I mean I know she's a Wakefield and all but have a seat bitch, this does not concern you and Ricky is not your boyfriend. Anyway, Elizabeth finds Ricky crying in the corridor and when he cuts her off to angrily tell her that she has no idea how he feels or what this whole ordeal has been like for him, the little wagon GETS MAD AT HIM. She essentially calls him a quitter and says that he's hurting his grandparents when all they've ever done is love him and other tough love pep talky stuff.

When Elizabeth reenters the courtroom, Ned is winding up his argument and comes over all Helen Lovejoy, "Think of the children. The children. That's what's really at stake here. Think of them." And right when the judge is about to wrap things up in favour of Ricky's mother, Ricky comes back in and interrupts proceedings to say that what's happening isn't right and that it isn't fair to any of them.

When he caught Elizabeth's eye, he smiled.

Oh PLEASE. Can't her meddling ever just backfire for fuck's sake? The judge takes the lot of them into the back and they all reach an agreement between themselves, so Elizabeth saved the day yet again by wading into other people's issues uninvited and waving her big wooden stirring spoon of honesty personified around.

When Elizabeth gets back home, she goes into Jessica's room to return a scarf that she borrowed and immediately realises that something is very wrong, as Jessica's chocolate-brown painted room is perfectly tidy and the wardrobe is completely empty. She alerts her parents, who have just arrived home and they rush to call Lila to see if she knows anything. Then Steven turns up, so Alice informs him of the news.

His mother turned to him from her chair. Worry lined her youthful face.

Yes, we get it, Alice could PRACTICALLY be their older sister, so gorgeous and un-aged is she. Lila has no idea where Jessica is, so Steven suggests that she might be with Nicky. Elizabeth and her dad head over to Nicky's parents house, but his mother is rude and unhelpful, eventually admitting that they haven't even tried looking for Nicky because they're a shower of bastards.

Meanwhile, Jessica is mournfully sitting in the bus station, waiting until the very last bus in the hopes that she'll be rescued from the public transport nightmare (if pop culture has taught me anything) that is American buses. Deciding that her family don't actually care about her, she resigns herself to her runaway plan and boards the bus. Back at the house, Steven is on the phone to a guy who's in with Nicky's crowd and finds out that he's gone to San Francisco, which must be where Jess has headed.

Steven and Elizabeth drive to the bus station and discover that Jessica just got on the last bus, as they see it pull away. They race the bus to the next stop in Carver City and catch it just in time to run onboard and find Jessica and then cry all over each other. They bring Jessica home and everything is great. Woooo.

Notable outfit:
Caroline Pearce was looking fly as fuck at the Trivial Pursuit party:

Her soft, ivory skin seemed to glow from within, and the green jumpsuit she was wearing set off her red hair and green eyes dramatically.

Get it, Car.

But I really must give a shout-out to Elizabeth's courtroom hack outfit:

Elizabeth was dressed like the perfect reporter in a smartly tailored tan suit. 

She wears this with a green scarf tied around her neck, borrowed from Jessica. No sixteen year old girls' wardrobe is complete without a tailored tan suit. Murphy Brown realness.

Things I counted:
Number of pages:169
References to the twins' blue-green eyes: 5
References to the fact that the twins are blonde: 3 (Aw. But they're SO BLONDE! And SUNKISSED!)

 
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